“Legends, a Tempest and an Oriental Feast at the Sibelius Festival”
So goes the webpage of the 14th International Sibelius Festival of the Lahti Symphony Orchestra, which will run from 5 – 8 September 2013, at the Sibelius Hall in Lahti, Finland.
Without further ado, here is the programme:
Thursday, 5 September
Musik zu einer Scène
Pelléas et Mélisande, concert suite
Scène de Ballet
King Christian II, concert suite
Friday, 6 September
Kuolema (Death), original score
The Tempest, original score
Saturday, 7 September
Wedding March from Die Sprache der Vögel (The Language of the Birds)
Belshazzar’s Feast, concert suite
The chamber/ensemble programme for Saturday and Sunday are not yet confirmed. The above info comes courtesy of Andrew Barnett of the United Kingdom Sibelius Society, authority 100% certified.
It is a very very colourful programme, featuring Sibelius from almost every known angle. Regrettably, I probably will not be able to attend this year. Limited finances is cause, period.
What shall I most miss? Without doubt, it will be the complete score of The Tempest, which contain some truly wonderful music. Music that is pleasantly sylvan, pastoral elegance, as well as fearsome orchestral storms and some of Sibelius’ advanced sounds. Among these, I am most emotionally attached to the absolute final piece in the Tempest music, the Ossia – Epilogue. As I have written before in my post called Sibelius’ Farewell – Thoughts on Sibelius’ Silence and Dilemma, Prospero’s Art, and Shakespeare’s Final Play – at 1 minute, 20 seconds long, its resonant nostalgia is utterly heartbreaking, and breathtakingly brief.
For these 80 seconds of melancholia alone would I go for this year’s festival.
Please visit http://www.sinfonialahti.fi/sibelius/en_GB/sibelius for information on ticketing for the Lahti Sibelius Festival and the Lahti Symphony Orchestra.