Above: Singapore-born violinist Kam Ning. Photo from her official site.
When we were writing at the Flying Inkpot, back in the late 1990s, the rise of “cover model”-style marketing (and make-overs) had begun in earnest. No longer satisfied with dignified stares, contemplative poses, faraway looks in E minor, concert-ready tuxedos and sequined dresses with mezzo-equipped bosoms, recording labels had realized that if you put a pretty face on the cover, the CD sold more copies. As they say, you can play the violin and still look cool and sexy, you know.
So anyway, those days, it was preeeetty obvious what was happening, and no doubt, we skeptical reviewers had to pick on the performances in the name of protecting you, the reader who has but S$twenty-something to spare for one CD and facing 18 recordings of the Sibelius concerto, from buying a pretty cover with an average performance (which happened to me maybe once. Twice perhaps). Continue reading Concerto for a Beauty