An Essay on Sibelius’ final three symphonies, the Fifth, Sixth and Seventh. These notes were published as the programme notes for The Philharmonic Orchestra’s 3rd concert of the complete symphonies of Sibelius, performed on 27 July 2008, which is reviewed here.
On the evening of September 20th, 1957, just a little over 50 years ago, Jean Sibelius died, aged 91. At the time, not far away in the capital of Finland, the Helsinki Orchestra and Sir Malcolm Sargent were performing the Fifth Symphony.
Written during the time of World War I, one might have expected such a work to reflect the times. But no, the symphony that Sibelius created was the complete opposite: life-affirming, noble, brimming with humanity in the face of nature’s majesty.
The final version was completed in 1919. It begins with a serene horn call at dawn, heralded by birdsong on woodwind. As the mood of anticipation unfolds, the developing material pours into a swinging string theme that precedes a trumpet call echoing through the mountains. Though sometimes misty and ominous, the music always retains a certain “human” feeling. We seem aware of our presence in the landscape.