Sibelius in 1881

In his grand-daughter’s dreams: A Winter Evening with Sibelius

Sibelius’ grand-daughter plays her grandfather’s violin; world premiere concert performance of the Andantino in D major (1889)

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My wife and I once aspired to have six daughters. Yes we were still young then, of course. I was inspired by Sibelius and Aino, who had six (though one, Kirsti, died at a very young age). All girls.  Practicalities of modern life limited what we can have, but still, somehow along the way, I always wanted daughters. So we have two. Per tradition then, my name shall not pass on. I don’t really mind. But, once in a while, I always wonder, where are Sibelius’ daughters and grand-children today?  And sometimes people ask on the internet, too.

All of Sibelius’ daughters have passed on, the last being Margareta, who lived from 1908 to 1988. Sibelius’ descendants do exist, though they no longer, it seems, bear his name.

But one still bears his violin.

Satu Jalas, Sibelius' grand-daughterSatu Jalas (left, b.1943) is the daughter of Margareta. In other words, she is Sibelius’ grand-daughter. She began studying the violin at the Sibelius Academy in Helsinki, and was a student of that regal Belgian violin master, Arthur Grumiaux. Mdm Jalas has performed as a soloist, in orchestras and chamber ensembles in many parts of Europe and the USA; and has been teaching the violin at the Arrigo Boito Conservatory in Parma, Italy for more than 30 years.

Her grandfather gave her his violin when she was 12. It is an unnamed instrument with no date, but is believed to have been made by the renowned Austrian instrument maker  Jacob Stainer (c. 1617 – 1683), who is ranked alongside Stradivarius as maker of the finest violins in all of musical history.Despite this illustrious background, the violin was purchased by Sibelius’ uncle Pehr Sibelius, at no more than a flea market in St Petersburg. Uncle Pehr eventually gave the violin to his nephew in the mid-1880s, when the latter was about 20 years of age.

If you’re anywhere near Brighton in the UK now – hang around. I assume you’re a Sibelius fan since you’re reading this blog – and you’ll want to be at the following concert on 21st February.

A Winter Evening with Sibelius
Mdm Satu Jalas will be performing a programme of music for violin and piano, selected from those Sibelius wrote around the period of the First World War. With her is eminent Sibelius pianist Folke Gräsbeck, of Sibelius Edition fame.In addition to the pieces for duo, the concert will host the world première performance, played by Mr Gräsbeck, of a newly discovered piano piece by Sibelius – a D major Andantino (1889) written for Emma Kristina Marie-Louise Berndtson (‘Lulu’), the newly born daughter of a close friend.

According to the press release, two Sibelius manuscripts, previously unknown to scholars, were found at the Eda Kuhn Loeb Music Library at Harvard University in late 2012. Folke Gräsbeck comments:

‘They were not lost, only strangely neglected because of their “home” deep in the archives of Harvard University… The credit for “re-finding” these items goes to Pekka Helasvuo (editor of the string orchestra music in Breitkopf & Härtel’s JSW critical edition of Sibelius’s complete works)… The Andantino is strange in that it seems to have been planned to have a solo violin part, but not a single note is indicated on the line of the violin or soprano or whatever was meant. However, the “piano part”, as it now is written, sounds like completed piano music: the melodies are all there, i.e. this is not an accompaniment with a missing melody.’

Programme
– for violin & piano:
Romance in F major, Op. 78 No. 2 (1915)
Tanz-Idylle, Op. 79 No. 5 (1917)
On the Heath, Op. 115 No. 1 (1929)
Valse, Op. 81 No. 3 (1917)
– Talk by Satu Jalas discussing the violin and Sibelius (10–15 minutes).
 
– for piano solo:
Andantino in D major (1889) – world première concert performance – ‘Till Emma Kristina Marie-Louise Berndtson – Lulu’
Valse lyrique (1919; preliminary version of Op. 96a)
 
Sonatina in E major, Op. 80 (1915) for violin and piano
 
Three Humoresques (arranged for violin and piano by Karl Ekman):
Humoresque No. 1 in D minor, Op. 87 No. 1 (1917, rev. 1940)
Humoresque No. 4 in G minor, Op. 89b (1917)
Humoresque No. 5 in E flat major, Op. 89c (1917)

Date/Time
Thursday 21st February 2013 at 8.30 p.m. 

Venue
St Paul’s C.E. School, Brighton, BN1 3LP (Map)

Tickets
£7 and available via the Finnish School of Brighton. (Link to Contact Details)

Sibelius in 1881

I remember my grandfather’s tender smile when he asked what I had dreamt in the night. I remember how he corrected my left hand when I played the violin with him. He gave his violin to me when I was twelve, and with this instrument I shall here play some of his violin compositions. My life has taken me away from Finland, but my soul is there forever.

– Satu Jalas

Published by

Leon

Leon is Singapore's resident champion of Jean Sibelius.

One thought on “In his grand-daughter’s dreams: A Winter Evening with Sibelius”

  1. Ah! Sibelius’ dream of mastering the violin lives on in his granddaughter. What a wonderful legacy! I can imagine the joy he would feel if he were here (and perhaps he is), since my granddaughter has taken my art lessons to heart and will soon surpass me. I cannot think of a greater reward in life than living our dreams in the ones we inspire, and if in family, so much the more wonderful! Thank you for this interesting article, Leon!

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